As a photographer rooted in Asian female visual storytelling, I reflect on a 2019 series that stirred conversation—not for its sensuality, but for the quiet power within it. This wasn’t about being seen; it was about choosing how to be seen. In 41 frames, we witnessed a woman not performing desire, but embodying autonomy—under spring rain, in sheer silk, with full awareness. This is not objectification. It’s ownership.

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